Eugenie Skilnand utdannet ved Operaens Ballettskole, Statens Balletth\u00f8gskole og School of American Ballet i New York.
Skilnad begynte i Nasjonalballetten som aspirant i 1998, ble ansatt i 2000 og i 2011 utnevnt til solist. Samme \u00e5r fikk hun Rolf Gammleng-prisen, hvorp\u00e5 hun i 2012 ble tildelt b\u00e5de Wilhelmsen-prisen og Kritikerprisen. Sistnevnte fikk hun for sin tolkning av rollen som Marie i Spucks ballett Woyzeck, en rolle som ble kreert for henne.
Skilnand har danset klassiske hovedroller som Aurora i Tornerose, Julie i Romeo og Julie, Tatjana i Onegin, tittelrollen i Giselle, Anna Karenina og Askepott, Sukkerfeen & Clara i N\u00f8tteknekkeren, Carmen og Mica\u00ebla i Scarletts Carmen – en ballett i tre akter, Ildfuglen i Scarletts Firebird, og tittelrollen i MacMillans Manon. Hun har gjort seg bemerket i hovedrollen i Duatos White Darkness og Without Words, i Shoot the Moon av Lightfoot og Le\u00f3n, og som Blanche i Neumeiers En sporvogn til begj\u00e6r
\u2013 sistnevnte ble hun ogs\u00e5 nominert til Kritikerprisen for.
I Moum Aunes kritikerroste Hedda Gabler h\u00f8sten 2017 var hun medskapende til egen koreografi i rollen som Thea Elvsted.
Hun har v\u00e6rt solist i en rekke balletter av Balanchine (som Agon, Apollo og Symfoni i C), Forsythe (Workwithinwork, In the middle somewhat elevated og The Vertiginous Thrill of Exactitude) og Kyli\u00e1n (blant annet Bella Figura og Symphony of Psalms). Skilnand har ogs\u00e5 f\u00e5tt roller skapt for seg i Rushtons On the Adjacent Sides, Str\u00f8mgrens Suite, Bj\u00f8rnsgaards Standard Arabesque, Dawsons dancingmadlybackwards, McGregors Chroma.
Skilnand avsluttet sin karriere som Solist ved Nasjonalballetten i 2020. I tillegg til \u00e5 v\u00e6re gjestende ballettpedagog, har hun har videreutdannet seg som mental coach for scenekunstnere.<\/p>\n\n\n\n
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Foto: Maiken Mathisen<\/p>\n\n\n\n
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Eugenie Skilnad – english bio<\/strong> Eugenie Skilnand utdannet ved Operaens Ballettskole, Statens Balletth\u00f8gskole og School of American Ballet i New York.Skilnad begynte i Nasjonalballetten som aspirant i 1998, ble ansatt i 2000 og i 2011…<\/p>","protected":false},"author":15,"featured_media":13642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-13664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pedagog"],"acf":[],"featured_image_src":"https:\/\/proda.no\/wp-content\/uploads\/2022\/12\/Eugenie-Skilnad.jpeg","author_info":{"display_name":"PRODA","author_link":"https:\/\/proda.no\/en\/author\/resepsjon\/"},"_links":{"self":[{"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/posts\/13664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/comments?post=13664"}],"version-history":[{"count":4,"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/posts\/13664\/revisions"}],"predecessor-version":[{"id":14213,"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/posts\/13664\/revisions\/14213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/media\/13642"}],"wp:attachment":[{"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/media?parent=13664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/categories?post=13664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/proda.no\/en\/wp-json\/wp\/v2\/tags?post=13664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Eugenie Skilnand is born in Oslo and trained at The Norwegian National Ballet School, The
Norwegian National Academy of Dance and the School of American Ballet in New York.
Skilnad began her career with The Norwegian National Ballet as an apprentice in 1998, became a full member of the company in 2000 and was appointed Principal Dancer in 2011. That same year, she won the Rolf Gammleng Dance Award, after which she won both the Wilhelmsen Award and the Critics’ Award. The latter was awarded for her interpretation of the role of Marie in Spuck’s ballet, Woyzeck, a role created specifically for her:
\u00abEugenie Skilnand created a fantastic character with a vulnerability and performance so gripping that it brought one to tears\u00bb, wrote the jury.
Skilnand has danced classical principal roles as Aurora in Sleeping Beauty, Juliet in Romeo and Juliet, the title role in Giselle and Cinderella, and the Sugar Plum Fairy in The Nutcracker. She has starred in Duato’s White Darkness, in Shoot the Moon by Lightfoot and Le\u00f3n, and as Blanche in Neumeier’s A Streetcar Named Desire \u2013 for which she was also nominated for the Critics’ Award.
In 2017 she co-created her own choreography for the part as Thea Elvsted in Moum Aunes acclaimed Hedda Gabler.
She has danced solos in various ballets by Balanchine (such as Agon, Apollo and Symphony in C), Forsythe (Workwithinwork and The Vertiginous Thrill of Exactitude) and Kyli\u00e1n (including Bella Figura and Symphony of Psalms). Skilnand has also had roles created for her in Rushton’s On the Adjacent Sides, Str\u00f8mgren’s Suite, Bj\u00f8rnsgaard’s Standard Arabesque and Dawson’s dancingmadlybackwards.
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